The Bourne Identity

The scene opens with a crane shot and a snowy road with traffic comes into view, a man enters the scene with a red bag, it makes him stand out against the white of the snow and red is often paired with danger. A diegetic phone call is heard over the top of the car horns, this makes the scene seem more chaotic, as it shows us that a million things are going on even though at the moment we can't see them because at first we don't see the phone call.

The music that was playing was quick paced and created tension, when he enters the phone box we see him in a midst, which then switches to a point of view shot when you see a policewoman, a medium close up is used to show his reaction to seeing this, so when he exits the phone box so abruptly we know the reason.

Later on in the scene we see him walking down the street, he then encounters some police again and we see his reaction for the third time
. His reaction to his encounters show us that he is obviously up to something slightly suspicious as he seems on edge even more-so around the police, this gives us insight into the character and we start to become curious as to what he is up to.

As he is walking down the street  at a brisk pace it shows a long shot, so you can see his whole body and setting he is walking in the opposite direction as everybody else, then an ambulance speeds down the street and alarms him, again he looks suspicious and is also the only one to acknowledge the ambulance showing that he is quite tense. When the ambulance is shown it pans to the ambulance and back so you get his immediate reaction.

We see the main character come a road which he has to cross, the focus turns to two policeman but this time he does't acknowledge them instead he keeps walking ahead, into the street he doesn't speed up he keeps looking forward like he is focused and as he walks it shows a tracking shot backwards of him walking across the streets and the trains following him afterwards it emphasises the danger of what he just did and shows how truly scared of the policeman he is. 

After this he is walking down the street two police cars come down the street, and there is a shot of that which then cuts to a shot to see his reaction, then to the American flag and then the US citizen sign. It then zooms in on his passport and we hear him mutter that he is an american citizen.  After he walks through the door a mid shot shows a group of police huddled out front gesturing towards him, with distressed looks on their faces this confirms any prior suspicions that he might be up to something and that he is avoiding the police.

When he first walks in it shows a close up on his face to show the emotion, then point of view shots to put a woman in focus who is distressed as she seems to have trouble with her visa, meaning she has restricted access to where she goes he seems to be on edge with this situation and afterwards we see him looking warily into a security camera. These things build up tension as the viewer is tense because they don't know what he is up to and the film doesn't seem to drop any clues as to what he is up too.

In the next part of the scene there are lots of point of view shots which change quickly, this emphasises his anxiousness and how uncomfortable he is in the situation and make him seem scared as he is constantly looking around, which is something someone suspicious would do; not only that but how obvious he makes his discomfort draws attention to him, and perhaps implies that this is not something he does frequently.

When he treks away from the queue, a tracking shot going right follows him like the man who is watching him, when red bag is shouted a close up is used on his face, but he doesn't seem frightened or intimidated he looks more annoyed, as if this is an inconvenience. There is also a close up on the handcuff's showing that they might be significant in the what's about to happen.


When the fighting starts, the non diegetic sound increases in both pace and volume and makes the audience feel tense. A birds eye shot is used to show him centred in the middle of all the people and makes him look more powerful. Also the close ups on the violent moments can make it seem more swift and also shows the skill in which he is fighting, the music and the shot switches change quickly which draw the audience in and make them have to watch so they don't miss anything.


After the fight scene it switches between point of view shot's and close up's of him re-acting which shows that he isn't particularly aggressive or hostile and doesn't seem to show negative emotions towards them. This could show that within the scene he might not be the antagonist.

The Others- 2001

During world war II Grace (Nicole Kidman) and her two children Anne and Nicholas move to the English Coast, she awaits word from her husband who is MIA and remains huddled in the house with her two children who have a rare disease

which causes the sun to harm them.

The movie directed by Alejandro

Amenabar showed us that large budgets are not needed to make horror movies scary or great any more. This movie doesn't have any particularly gory events and relies solely on suspense and mystery to create an eerie atmosphere throughout the film, using pathetic fallacy particularly the fog which indicates that things aren't clear and also isolates the family from civilisation. 

                                              

When Anne starts to disclose to her mother that she has been communicating with a presence within the house she is quickly dismissed and pushed aside by her mother Grace but eventually throughout the film cannot deny that there must be Others (pun intended) in the house.

One crucial scene that represents this revelation is called Strange Voices. Grace hears suspicious noises behind a door and enters the room. The room is filled with furniture covered with white sheets, as Grace stumbles her way through them a silence full of suspense plays throughout the room and all you can hear is the creak of the floorboards with each step. The camera zooms into Grace's face into a close up shot and rotates around her head, when the back of her head is on display you hear whispers around the room and then one voice goes "shhh". The voices built up suspense to a short silence, when suddenly something is dropped Grace leaps away in fear and runs into one a mannequin, she then starts tearing the sheets off of the furniture frantically when she tears the sheet off the mirror you see the door and the camera slowly zooms in closer to Grace's reflection whilst the door is still in view it then switches suddenly you don't see the door shut but you hear it close and Grace runs out of it seeking out the intruders.

The white cloaks covering the furniture hints at the plot twist, she is amongst many things that she is unable to see but they are real like the furniture is physically their so are the people who live there.

    Towards the end of the film we make a revelation, that in fact Grace's house is not haunted, we discover she was a psychopath who murdered both of her children, and their dead spirits live on in the house and the only ghosts within the house are her and her children and the staff that live with her.

The film wasn't your typical modern horror film, it was set in a realistic setting at the time, it didn't rely on thing's such as blood and gory and the "shock factor" of vivid deaths it's simplicity and elegant execution on how to make an eerie film along with an unexpected plot twist is what makes it great.